Karen sings and plays the trumpet in a vigorous rock band in Brasilia, but no one there is interested in it. At 27, she has lost hope in the city her grandfather helped to build. She follows in the footsteps of her ex-partner in the band, Artur, and tries her luck in Berlin.

"Tueng", a bank employee, often experiments with "Kit", the nerdy best friend. Always a fan of invention During the Covid-19 period, "Tueng" has to leave the house.

A New York nightclub manager tries to save his brother and father from Russian mafia hitmen.

This 14-minute film is designed to create an atmosphere in which people can speak seriously and openly about their thoughts and feelings concerning sexual behavior. The film concerns the conflict a young couple faces because of their different attitudes toward sex.

American-born Jayne Valseca, her husband Eduardo, the son of a legendary Mexican newspaper publisher, and their two children live an idyllic life on their 1,000 acre ranch outside of a peaceful Mexico town. But in the summer of 2007, their peaceful life is turned into a real-life nightmare when Eduardo is ambushed and kidnapped by strangers. With kidnapping becoming a pervasive and lucrative business in Mexico, Jayne is at the mercy of the kidnappers when they demand millions for the husband's safe release. She's pushed to the limit to do everything she possibly can to raise the money necessary to bring Eduardo back alive. As Eduardo is starved and tortured, he looses hope of ever seeing his family again but despite the dire and bleak times, Jayne refuses to give up and decides to turn the tables on the kidnappers and makes demands of her own. The film is based on a true story from the book, We Have Your Husband: One Woman's Terrifying Story of a Kidnapping in Mexico.

On a visit home to Idaho, Matt documents family dynamics and recalls scattered memories from childhood. “Here We Have Idaho,” is a witty self-portrait about small-scale resentments and feeling undervalued amongst loved ones. He leaves his “high-octane, balls-to-the-wall” life as a New York City alt comic to spend some time with the fam. But soon he learns there’s no room for him to stay in the house — he’s been demoted to sleeping in a trailer in the driveway, a fact that he stews on for days.

70-something Melanie invites her once young and idealistic hippie friends for a long-overdue reunion where everyone is told they have inherited the cabin where they once lived together in a commune fifty years earlier.

A teenage girl with self-esteem issues finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.

This series tells the story of how Soul music was forged from r 'n' b and gospel to become the most successful music in the world...

The film navigates this aftermath observing the signs of an evacuated civilisation. Marine life is represented in murals and as forms of architectural ornamentation. A dolphin remains still, joyfully stuck in mid air, turned to stone. In contrast to constant life and movement underwater, the other side remains still, quiet, and solid in a concrete-made world. Occasionally, the voices projected from the speakers interrupt these silences to make announcements to visitors. 　　The humans are gone but diverse life forms fill the architectural spaces they left behind. It’s as if amongst this absence the architecture and infrastructure of tourism whispers its own story. The pipes that once supplied aquariums and waterslides now breath notes. The curtains of a once luxurious hotel dance in the ocean rhythm. 　　These spectres of tourism are searched within the process of film production. The filmmakers make audible their casual conversations in which they search for meaning and imagine different lifeforms of the future. It might be relevant that a pandemic was sweeping through our world throughout the film’s production. Perhaps the film is a post-apocalyptic projection of their own remembered economic disasters. As a generation that experienced the false promises of progress and freedom, they also look into their own connections with the island of Capaluco: The collapse of the neo-liberal economy in Argentina and failed American dream to a Filipino immigrant.